The album "Getting Killed" by Geese is receiving strong positive reviews for its creativity, energy, and genre-blending approach. It is described as a blend of indie rock, post-punk, soul-tinged grooves, and classic rock influences with a restless, thrilling energy throughout. Critics highlight the band's impressive musicianship and the album's mix of intense, snarling riffs and groovy, danceable moments. The production captures live energy without over-polishing, balancing intensity and restraint. Key points from reviews:

• The album opens with an energetic track "Trinidad" and closes with a more spacious and patient track "Long Island City Here I Come."
• The band is praised for pushing their sound beyond previous albums with reckless abandon and a unique voice, blending genres like post-punk, funky rock, and classic rock into something fresh.
• The vocals by Cameron Winter receive mixed notes—some find melodies repetitive but others appreciate the risk-taking.
• The album's songwriting and musicianship are praised as some of the most creative indie rock of the 2020s.
• Overall reception is very positive, with a Metacritic score reflecting mostly high ratings and lots of excitement about the band's future direction.

While some listeners note it may take more time to appreciate fully, the consensus is that "Getting Killed" is a bold, dynamic, and captivating album showing the band's growth and potential in rock music.